"A painting has to be the experience, instead of pointing to it. I want to have and to give access to feeling. That is the riskiest and only important way to connect art to the world - to make it alive."
David Salle in a letter to Janet Malcolm in her article and book Forty-One False Starts
"I can remember, for instance, waiting for a performance by Toscanini of the Eroica, say, and not being able to stop trembling while waiting for it, I mean trembling with nervous excitement, with pleasure, with what I think can only be described as a kind of sexual pleasure, though it's not directly that. And if you're interested in having experiences which will last you for a lifetime in the arts, you've got to do your damnedest to find your way to that kind of experience. How you do it I do not know."
Marvin Mudrick, Mudrick Transcribed, as quoted in James Wolcott's Critical Mass
Showing posts with label intensity. Show all posts
Showing posts with label intensity. Show all posts
Sunday, 28 May 2017
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