"A painting has to be the experience, instead of pointing to it. I want to have and to give access to feeling. That is the riskiest and only important way to connect art to the world - to make it alive."
David Salle in a letter to Janet Malcolm in her article and book Forty-One False Starts
"I can remember, for instance, waiting for a performance by Toscanini of the Eroica, say, and not being able to stop trembling while waiting for it, I mean trembling with nervous excitement, with pleasure, with what I think can only be described as a kind of sexual pleasure, though it's not directly that. And if you're interested in having experiences which will last you for a lifetime in the arts, you've got to do your damnedest to find your way to that kind of experience. How you do it I do not know."
Marvin Mudrick, Mudrick Transcribed, as quoted in James Wolcott's Critical Mass
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