Tom Walker's Still Life With Exploding Glass, which manages to take a collection of familiar still-life objects and transform them into both a spectral terrestrial landscape and a drifting celestial goody bag.
Simon Page's The Black Dog, which combines warm yellows and cosiness with unsettling aquamarine and red, strange angles and an unusual perspective to create a scene of ambiguous tension.
And finally Felicity House's Two Rooms, whose playful lines, bright sunlight and grandiose setting call to mind something like Jacques Tati's film The Illusionist, and which I badly wanted to buy.
The exhibition runs until 7 March. Take a spare few grand and a van with you.
